AIR’s platinum
record
source:www.http://www.thehindu.com/
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Then premier of Madras presidency, Rajaji signs the
visitor’s book at the station’s inauguration in 1938. Photo:AIR, Chennai
At All India Radio’s Chennai station,
launched on June 16, 1938, B. Kolappan delves into the archives and
discovers a treasure trove of dulcet memories
At first sight, it looked like Ali Baba’s cave. There may not have been
gold and jewels, but there was a treasure just as precious.
When All India Radio (AIR), Chennai, opened the doors of its archives for
me, I found priceless recordings on subjects ranging from musical and
literary discourses to classical music, autobiographies of Sivaji Ganesan,
M.S. Viswanathan and R. Venkataraman narrated in their own voices, to
interviews and plays.
“You name a leader, writer, orator or musician and we have his
recordings,” said director of the station K.P. Srinivasan, while placing
before me a bundle of papers listing all the recordings available at the
station, which was launched on June 16, 1938.
The late D.K. Pattammal and nadaswaram player Thiruvengadu Subramania
Pillai performed on the day of the inauguration.
Today’s serious literary buffs would have read all the works of Manikodi
writers including Pudhumaipaithan, B.S. Ramaiya and Ku. Alagirisamy. At
AIR Chennai, they can listen to their favourite authors.
The studio has also preserved black and white photographs of all those who
have visited and performed on its premises — an incredible collection,
including those of many great actors such as Sivaji Ganesan, Nagesh, R.S.
Manohar and Manorama who have staged plays here.
AIR Chennai is also probably the only institution that has a recoding of
the chorus of late music director M.P. Srinivasan, who set to music many
of Subramania Bharathi’s songs. Mr. Srinivasan, and programme executive
director M. Selvakumar, led me to the library and I picked up a disc of
yesteryears, stacks of which have been preserved for years together in
wooden boxes. I blew on the disc gently to remove a film of dust that was
coating it, and was thrilled to see the title: it was a concert by
Bismillah Khan, recorded in 1953.
“In those days, long before the arrival of magnetic spool tapes,
recordings were made on these discs. It was called electrical recording.
We have not yet fully indexed them and the collection could still up throw
many surprises,” said Mr. Selvakumar.
The station has over 25,000 recordings running into 13,000 hours. So far
though, it has digitised only 700 hours of them.
Some of the tracks at the library gathering dust are a series of 78 rpm
recordings of western music — instrumental, film songs and classical
concerts. While the 79 rpm recordings are now available in the form of
CDs, the task before AIR Chennai is to digitise the rest of the thousands
of hours of recordings — a mammoth task that officials admitted was not
progressing well mostly because of a shortage of funds, manpower and
technology.
The station, Mr. Srinivasan said, used to function from a building on
Marshall Road in Egmore, before shifting its office to Marina Complex in
1954.
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